Sunday, November 27, 2011

REVERB: Dum Dum Girls – Only In Dreams



Sophomore albums ain't an easy thing to nail and the Dum Dum Girls can be forgiven for not living up to the altitudes of their debut LP. Released last year, I Will Be was interesting, gritty and cute, and received deserved praise. Follow-up LP, Only In Dream, as a whole, is mundane, droll and tiresome.
But first let's take a look at stand-out track Coming Down, a crushing ode to the heartaches of a love lost. On I Will Be heavy reverberation conceals leading lady, Kirsten Gundred's – stage name Dee Dee Penny – voice, but on this track it soars above a spangling guitar and puncturing snare drum. Coming Down is a change of pace from the rest of the album – slow, melancholic emotive. It's reminiscent of Mazzy Star's Fade Into You. If you ever had a real heart/ I don't think you'd know where to start, Gundred wails with real feeling. And she makes you feel too, deeply.
However, the rest of the album is superficial 60s dream-pop meets DIY garage grunge angst, which is then fed through a formulae of fuzzy guitar, driving bass and a could-be-drum machine drum beats.
Leading single Bedroom Eyes is quintessential of the album; at once catchy and exhausting it follows a rigid structure and doesn't strays from fuzz-pop mould. Like nearly every track on the album it begins with a punchy, infectious beat, jovial guitar riff and indulgent lyrics sung with a, admittedly, Gundred's lovely voice.
But then there is Coming Down. And then, finally, Hold Your Hand, the closing track. Hold Your Hand is a humbling song about death, grief and support, no doubt imbued by the lose of Gundred's mother during the recording of this album. The track is pretty and a little zany, think Bat For Lashes, and ends the album on a contented note.

Monday, October 24, 2011

REVERB: The Vines – Future Primitive


2/5
Future Primitive is unimpressive and uninspiring – The Vines' worst album to date. It seems the Sydney boys have lost their youthful gusto and irreverence. The album opens well, with the explosive 'Gimme Love', featuring frontman Craig Nicholls' trademark scream-croon, hooking the listener in. The gently melodic 'Leave Me In The Dark' is one of the highlights of the album which, with the exception of Riverview Avenue' and 'Black Dragon' consists, almost wholly, of unimaginative platitudes. Many of the tracks, such as 'Candy Flippin' Girl', 'Weird Animals' and 'Cry' are enjoyable enough but formulaic and lacking flare. 'Outro' – an attempt at psychedelia via the mash-up of intergalactic sound effects, and 'Goodbye' – a heavily clichéd and dull acoustic track, are the low points. Fortunately Future Primitive is saved by the final track, 'S.T.W.', which is classic Vines – energetic, thrashing pop, finishing just before you'd like it to (somehow!) and making you want to listen to the album all over again.
-Simon Nicholas

STAB: Ozzy Wrong's Ukulele Songs


Earlier in the year Australian Ozzie Wright, one of surfing's friendliest and most creative goofy-footers, spent a coupla months in Bali. By the end of his stay, Ozzie had a tan, a smile and a new album: Ozzy Wrong’s Ukulele Songs, which, as the name implies, is his newest musical endeavour, played entirely on ukulele.

Ozzie and girl Miley had originally headed to Bali for a pal’s wedding. Length of stay turned from a few weeks into a couple of months. Oz'd been plucking strings on the Hawaiian mini-guitar for some time, eventually accumulating enough songs for an album. He stumbled upon the chance to make just that happen in Indo, which he took. Stab rang Ozzie to find out a little more about the finished product.

Where'd the album idea come from?
I’d been playing a lot of ukulele and making up songs, so I decided to record ‘em all. I had a couple of friends over in Bali that were good drummers, and there was a really cheap studio, so we just did it. It was fun.

Tell us about the recording.
Tai Graham, who lives over there, took me to the studio. It was above this Muslim family’s tiny little house. It was really funny, they didn’t speak much English. They looked at me and were like, “No, no, it’s not punk-rock music is it?” And I was like, “Nah, it’s just ukulele songs.” Most of the things that they’d record would be super-polished Indonesian cover bands, sounding really professional. I don’t think they’d done much original music.

Were they into it?
It grew on ‘em and by the end they kinda liked it. At first they thought I was a joke… well, I am a joke, but by the end I could tell that they liked me. They were sad to see me go. We had fun recording.

What are the themes of the album?
There are a few songs about my girlfriend, one about a unicorn (which appeared in Oz’s Innersection entry) and one about bikes. There are a few different themes. It’s a bit lovey. The fun-ness of being in Bali was a definite influence.

How long have you been playing the ukulele?
Last Christmas I bought a uke for my girlfriend, but I ended up playin’ it and got really addicted. It has a real sweet sound and I can do more chords on it. I haven’t got a left-handed guitar so I can’t make many different chords; I play upside down. With the uke I can get way more sounds, so it’s more versatile for me. I can play it on a plane, in the car, everywhere. It’s a lot easier to take around.

How far removed is this from the Goons of Doom sound?
It’s different, but you can still hear the Goons influence in there. There’re no guitars, just the uke and drums, so it’s mellower. There’s saxophone and a bit of kazoo as well. It’s so hard doing a recording with the Goons ‘cause there are five of us, we’ve gotta go to a studio and it costs lots of money, whereas when I was in Bali I’d make up a song in the morning and record it in the afternoon. Super easy and spontaneous. You could just record stupid songs and there was no pressure for ‘em to be good, you know. It cost 80 bones to record the whole thing.

How's the response been so far?
So far my album hasn’t impressed anyone. I like it and a few of my friends like it, but generally most of my friends haven’t mentioned it. Even my mum doesn’t seem to like it, haha. But I’m not going to lose heart. I’ve got a lot of new songs, so I might have to do part two, haha. I’ll probably wait till I go back to Bali before I record it though.

How do we get Ozzy Wrong’s Ukulele Songs?
Um, I’m not sure, haha. I’m hoping to set up a little website for Vampirate Surfboards (shaper Mark Gnech's new brand, which Ozzie'll be doing the board art for), and have a little shop where people can buy products and hopefully they can buy the record there. I haven’t set it up yet though.
– Simon Nicholas
http://www.stabmag.com/elliot/ozzy-wrongs-ukulele-songs

STAB: Zoltan Torkos plants first kickflip but Volcom says it don't count if it ain't above the lip

Late last week Zoltan Torkos pulled the first ever kickflip on a surfboard to be captured on film. The above clip quickly went viral, clocking over 140,000 views in four days. The clip was submitted to Volcom for the Kick-Flip Off competition but denied the $10k because it wasn't above the lip. When Stab called Jack Morrissey, Volcom's surf team manager, gave us the rundown:

"Basically, since the the kickflip was a mid-face one where he didn't come off the lip, he's not eligible for the grand prize of 10 thousand dollars. Even though it was the first kickflip pulled in surfing, it wasn't off the lip like a proper air, y'know? We've had a lot of guys send in over the years and we feel it wouldn't be fair to them because they've been trying to do it off the lip. We obviously want to help him out, hype him up for what he's done. It's just the fact of the rules."

"Rule #3. The kickflip must be a real air “above the lip” – No backwash, No chop hops, or anything in the flats or below the lip of the wave."

Stab called the friendly Santa Cruz local to ask him how he feels about the failed attempt:

Stab: How do you feel after missing out on 10 Gees due to a technicality?
Zoltan Torkos: I'm really happy, 'cause this has brought the focus I intended it to, to the fact that this was pulled for my best friend, Carl Reimer, who was shot to death on my mother-in-law's door step. It was, more or less, the wrong place at the wrong time. The shooter didn't even know it was Carl. He was just leaving a low-income housing flat. The shooter jumped out of a bush and shot Carl. It was just a random act that I'm still trying to make sense of. The last day, before he died, I surfed Steamer Lane, did a kickflip and fell. He said, "You can do this!" So that was the last thing he told me before he left my house and was murdered. It has stuck in my heart and in my soul to get this done, do it for him and make it the Reimer flip. Turn kids onto 'Pull tricks not triggers, shoot 'em with a camera.'

For how long did you try to plant it?
Oh my god! I'd even tried them before the contest. We have these wedgy beach breaks and I'd play around, but with no seriousness. It took my friend inspiring me to push surfing to a new level and inspire kids to prove you're a man through surfing. Or go on a super ramp with your skateboard and see how scared you are. Or perform a magic trick on stage. The adrenaline's out there and there are positive ways to get it. Society has shown people to take the coward's way out a lot of the time.

Has the clip boosted your surfing career?
Man! It's been a crazy emotional road. It's hard to say how big the avalanche will get, but, you know, the snowflake has hit the top of the mountain.
–Simon Nicholas
http://www.stabmag.com/elliot/zoltan-torkos-plants-first-kickflip-but-volcom-says-it-dont-count-if-it-aint-above-the-lip

STAB: Dion talks Proxy Noise, Taj Burrow and the Internet

With the Quiksilver Pro in full swing Byron Bay aerial wizard, Dion Agius, avoids it all keeping himself busy with new venture Proxy Noise, a digital magazine visually landscaping the travels of buddy Warren Smith and himself around the globe. Dion can also shred through film and just before the Quik Pro on the Gold Coast commenced he and Taj Burrow fled to a secret beachy to try out some new craft. Above is Dion's edit from the session. Stab called the internet punching bag, man with the camera, blog and sharp opinion, to talk Proxy Noise, the death of magazines and how creative surfers are being saved from the crushing mainstream.

Stumbled across your clip of Teebs and y'self, looks like you scored some fun beachies.
That was just the other day on a secret little beachy. TB was trying to get away from the Goldie. It's just a circus up there, there're more wild surf dogs than you've ever seen in one place. It was small, but compared to trying to surf D-Bah it was pretty awesome. That little board Taj's on is the one he's riding in the comp, I think. He was like a little kid, going loony, surfing so fast!
You've been keeping yourself busy with your blog, your videos and now a digital mag.
Proxy Noise is our little project. We're pretty excited to sink our teeth into. It's Warren and I, and one of Warren's friends – graphic designer Grady (Archbold, of the Matt Archbold bloodline). We're trying to put together a little monthly zine-thing, which has been really fun.
Do you like where the surf industry is moving?
Yeah, I think it's good. The whole industry is becoming a bit more appealing. Everybody is kinda implementing creativity into campaigns and videos. There's a lot of young kids who're interested in other stuff as well, not just surfing. It's been more accepted, rather than just, surf all day, surf in contests, train, and that's it. It's pretty exciting. I mean surfers, generally, are creative – look at the guys back in the day. Somewhere along the way they tried to make it like football or something, the ASP and all the contests and everything. I think it's cool that there is still that other side, you know. Not everyone's interested in just watching WT events.
What do you think about the rise of the surfer blog?
To me it seems like everything is becoming so disposable with the web. Say this video of TB, someone'll watch that and get 30 seconds of enjoyment out of it and that'll be it. Then it's gone, lost in a sea of content forever. The web is taking away that quality – It sucks! When I was a kid growing up you'd wait a whole year or two for a Taylor Steele movie, but now it's like everybody's getting so much content that it's becoming mundane. And I'm the first one to blame, I'm putting up stuff all day long. Is this something you'll peruse after surfing? I love it so much. I came out of school wanting to go to uni to study film and television.
The mag seems to have a anti-surf overtone, was this a conscious effort?
(Laughs) You think so? Warren's writing style is tongue-in-cheek. We just did this because we were living in New York and we didn't really surf. Alot of the time it's hard doing anything like that without having people hammering you from every angle –"What are you guys doing, living in New York, not surfing?" I've come to the realisation that if you do something that the majority of people hate then you're probably doing something right. Everyone has their own opinions and the internet definitely draws it out. If you do anything that is a bit left-field, everybody'll put their two cents in about it. We're the the first generation of surfers to be exposed to that. It's a pretty steep learning curve not to be disheartened by it. It's cool because it gives everybody a voice, but at the same time 90 percent of the time it's the lamest stuff you've ever heard – an anonymous little dude going mad on his keyboard, having a quiet day sippin' his coffee and lighting you up. Surfing's been sheltered for so long, this secret little place where everything is rosy and perfect. It's good that we're not living in that padded little world anymore.
– Simon Nicholas

http://www.stabmag.com/jed/dion-talks-proxy-noise-taj-burrow-and-the-internet

STAB: The Gorilla in the Room



Last week the 40th Annual Surfer Poll Awards were held at Turtle Bay Resort, Oahu. The ceremony was dedicated to the memory of Andy Irons and it was Bruce’s acceptance speech on behalf of his older brother’s award for 6th male surfer that left the audience breathless. Following a tribute video to AI, Bruce moved onto the stage and talked about his brother’s life, Andy Axel Irons Jr. and killing the gorilla in the room. Here’s a transcription of his touching speech:

“Thank you guys very much. I just want to thank the surfing community for being really loving and putting stuff like that together. Matt (Beauchesne), thank you.

"My brother loved surfing more than anyone I know. All you people in this room, a lot of you guys up here getting awards, my brother idolised you guys, even though he might not have shown that love in the heats, or wanted to kill you, run you over. And Kelly, even though he wanted to chop your head off in the heats, he looked up to you so much, ever since we were kids. He’s looking down and – 10 world titles – he was stoked just to get three on you. Got to give it up for Kelly for those 10 world titles, man. That’s amazing. My brother, he loved your surfing…

"And another thing, my brother’s wife, Lyndie, she's going to be having a baby on the 8th and I’m going home tomorrow to be there for the birth. I’m going to be the father figure in his life and we’re all going to see Andy Axel Jr. soon. Yet grieving, as much as it sucks, we’re going to have to live with it – my brother’s never going to be forgotten – but he’d be wanting you guys to be having a good time, you know my brother, he’d be like “whoop, whoop, whoop.” So, I know it’s hard, but let’s kill that big Gorilla in the room, or something. He’d want everybody to have a good time and enjoy tonight. I just want to thank all you guys again for being so supportive of my brother and his career. I really appreciate it. Thank you guys."
–Simon Nicholas

STAB: John Florence: The New Pipe King



Pipeline is and always will be, surfing's most important wave. Its killed more people and made more stars than any other. It's surfing's most traditional proving ground. For some time now, Jamie O'Brien's been the guy at Pipe, but now a new prince has risen in the form of John Florence. John (who's ditched the second 'John' in his first name), won the Da Hui Backdoor Shootout at the start of January, then the Volcom Pipeline Pro at the end of the month, beating JOB in both. And he's only 18. Stab caught up with the young Hawaiian to find out how the new crown fits.

Stab: How does it feel to be the new Mr. Pipeline?
John: My confidence level is so high. Winning two events in a row, I'm so stoked. I don't think anyone's called me that yet though, Jamie's still got a couple of contests on me.

Who is the single best surfer out at Pipe?
Probably Jamie. Yep, Jamie!

What's it like to beat him out there?
It's so crazy to think, 'cause Jamie was 'the guy' out there, ever since I was young. I surf with Jamie almost everyday out at Pipe. And being in the finals… then actually winning! I'm still, like, I can't really believe it. He's like my older brother. I've always treated him like my brother, ever since I was really little. We actually lived in the same house for a bit.

Was there much brotherly-like shit-talking?
It was pretty mellow. Just like usual. Just like getting into the surf, the same as the day before. I had a couple of heats with him last year and we kinda messed with each other. Just stuff like, "Well, do you want me to get a good one?" and I'd be like, "Yeeeah, Ok." We were trying to egg each other on, f'sure.

That left drop (pictured above) was very late. Was that a tactical move to add more drama and get a higher score?
I was tired coming off my second right. I paddled over Jamie's wave and I knew I had to get back out, I knew I needed a couple more waves after Jamie's wave. I ended up being in that spot, like, coming underneath it. I paddled as fast as I could and I paddled as hard as I could.

The world's at your feet – which career-path are you taking? Dream Tour? Free-surfer? Pipe Master?
I want to do the Tour, for sure. My goal is to qualify and get on tour. I'm going to get on the 'QS, then try and qualify (for the Dream Tour) whenever I can. As soon as I can.

The Hawaiian lineage is rich... who d'ya most wanna be like – Andy Irons, Bruce Irons or Jaime O'Brien?
Andy, for sure. Andy was 'the guy', you know? It's sad… but legends never die. Yeah, I want to do it all, win world titles, and… he's the only guy to have given it to Kelly (Slater). I don't think I'm as competitive as Andy was but I hope to be some day. I hope to be able to do some of the things that he did.
– Simon Nicholas

STAB: Owen Wright's Patience



Today was another lay-day at the Billabong Pipe Masters. If you were a pro, waiting for the contest to resume, how would you spend your downtime? Sit around wallowing in self-pity, obsessing over every aspect of your next opponent's style and game? Nope. You'd go to a bar with your buddies and scream your favourite tunes at the top of your lungs. Well, you would at least if you were Owen Wright. n caught up with the silky goofy-footer to see how he's been filling his days.

Stab: No waves again today, huh Owen?
Owen: Nah. I went for a little wave out at Off The Wall. It was alright, I wasn't out for that long. It’s pretty slow over here, there’s not a lot going on.

What's your mental game-plan during lay-days?
I guess to stay mentally prepared I actually do nothing – just not try to stay mentally prepared. I don’t really see the point of trying to think about it. I’ve just been having fun. I find it really easy not to think about the next heat. I don’t know, it just doesn’t seem to bother me. It’s more of a holiday than anything for me.

How've you been filling the waveless days?
We’ve been going into town a little bit, checking Waikiki out, watching old movies on the cable TV, looking at the swell forecast. We went to a Karaoke bar the other night, that was pretty funny. It was just a small little joint. There was hardly anybody there, an old Chinese dude was asleep in his chair. We just rocked up and started singing karaoke.

Who brought it?
This chick that came, she was killin’ it, but I rate myself pretty highly. I sung a bunch of old school songs, one of ‘em was Patience, by Guns ‘n’ Roses. (Matt) Wilko was singing pretty good. Dom Wills had a good dig at the karaoke as well. It was so fun, everybody was just laughing and mucking around. We weren’t really paying attention to what we were singing.

Has the contest had the usual flash and trash that Pipe often attracts?
The other day when the comp was on there were a few people, but I’ve seen more people there when it’s just been big, good Pipe and no contest. I think a lot of the tourists will only come out to see the big waves of Pipeline. There’s just a bunch of photographers, free-surfers and 'QS guys. Just the usual basically.

Many girls floating around?
It seems there were more when I first came over, before the comp’d started. There’s still a few getting ‘round though – it’s Hawaii!

Injury seems to have made Joel Parkinson more hungry, and you've drawn him in your first heat.
It’s definitely a tough first round heat, he’s won the last two Triple Crowns so it’s going to be a good heat. I feel like I’m a worthy opponent though. I’m just psyched for it, to tell you the truth. It’s the last contest and I’m looking forward to it. I’ll be psyched if I can find some little lefts to get barrelled on. That’d be pretty cool. I think it’ll be a pretty good heat. It would be good to get some barrels here. Or even go left on the Tour for a change, haha. Hopefully Huey pulls through for us, we kind of didn’t get Chopes (Teahupoo).
– Simon Nicholas

STAB: Priority Penalties At Newcastle's Surfest



It was consistency and strong fundamentals which saw Dion Atkinson handed a $12k winner's cheque at the Burton Toyota Surfest on Sunday. While flare in the heats of an in-form Ace Buchan, as well as young hot-shots Thomas Woods and Mitch Crews were crowd-pleasers, it was the consistency and competitive know-how of the Bede Durbidge and Lincoln Taylor mould that advanced to the semis. However, the unlikely element of priority played a crucial role in the event's outcome, stopping Taj Burrow in the quarters and causing an interference ruling against Tom Whitaker in the final.

The conditions at Merewether's right-hand point were sub-par for the opening four days of the week-long event, but come Saturday the murky sky cleared and the mist lifted to reveal a shaky but punchy south-east groundswell, which continued through to Sunday.

Taj's first heat against Dede Suryana had the sidewalk crawling with excitement as he clocked half a dozen waves before the Indonesian had secured his first. He then walked back up the beach, having snapped his board with four minutes still remaining till closing buzzer. "I wanna keep the ball rolling from the Gold Coast," said Taj afterwards, while signing the t-shirts of his adoring public, "Snapper was really fun!"

It was during Taj's quarterfinal heat against Lincoln Taylor that a technicality stopped the current world number two's campaign. Taj, who was holding priority, paddled for a wave and didn't take it, causing priority to shift to Lincoln. The large coloured disk next to the judging stand flipped from white to red, indicating the change. The commentator was halfway through announcing the priority change when the next lump came through. Both competitors turned and paddled. Lincoln had seen the priority change, Taj hadn't. In a man-on-man heat in which a surfer interferes with a competitor who possesses priority, that surfer is only judged on his highest scoring wave. This meant that Taj was unable to reach the 12.67 required and was combo'd. "He was on the inside and thought it was his wave," Lincoln said afterwards. "I didn't want to win like that."

It was Tom Whitaker and Dion Atkinson who found themselves in the final, both of whom had flown under the radar throughout the event, scoring enough to progress but rarely eliciting more than mild interest from the crowd. Or at least, until the final. Just as the hooter sounded a mound rolled through. They both paddled, neither with priority. Both took off, Dion on the inside, Tom on the sectioning shoulder. Narrowly missing a collision, an interference was called against Tom. During a man-on-man heat in which a surfer drops in on a competitor and there is mutual priority, that surfer is penalised and has his second best score halved. With this handicap, Tom was unable to amount enough to reach Dion's score of 12.03. On the podium, Tom said he thought he was on a separate peak and didn't realise he'd been penalised until he'd walked up the beach afterwards. "He just didn’t look back," Dion retorted in awkward response. "Maybe he should turn his head up next time."
-Simon Nicholas

STAB: Beating the Heat



Over the weekend, Sydney experienced its most intense heat wave since 1973. Temperature sensors read 43 degrees and the city was a steaming concrete desert. And this all on the back of cyclones in the country's north and flooding in Melbourne and Queensland. We asked Ozzie Wright and Jarrah Tutton, two Sydney surfers with absolutely no meteorological training or authority on the matter, how they beat the weekend's heat. What we got was an interesting discussion regarding when the world's gonna end, and the manner in which humanity will meet its demise. 



Ozzie Wright

Stab: How'd you escape the weekend's heat wave?

Ozzie Wright: I was going for three surfs a day. The waves were great. It was small but it had a great shape. Good sandbanks, really shallow. There were a few people, but it wasn't too crowded. I kept saying, "I feel like we're at the Great Barrier Reef," it was so crystal clear and beautiful. But at Bungan the hill's really big and the sand gets so hot, so you surf then you've gotta walk up this giant hill of hot sand. By the time you get home you're a mess– it was radical. I also met the next door neighbours for the first time in two years, 'cause they've got a real nice pool. Rocky (Rocky River Wright, Ozzie's two-year-old son) and his girlfriend Grace went swimming. The kids were hanging over the fence going, "We wanna go in the pool," then the neighbours said, "Yeah, bring 'em over." They're very nice people. I left 'em there for about two hours.



Rocky's got himself a girl?
Yeah. She's, like, eight. A woman. They went out to a party on Friday night. It was a Mexican 'Day of the Dead' party, so we had skulls painted on their faces. It was awesome, (Vaughan) Blakey fell asleep face down on the cement, beside the house. We all just got drunk.

What are your tips for staying cool in the heat?
I just go into the ocean. We bought a couple of those clam shell pool, but they're for kids. I've sat in it a couple of times.



Is the world ending?
No, I don't think so. I definitely think that humans will become extinct one day, but I think the world will live on. We've got quite a few thousand years left in us. But then that heat might cause an ice age, it might send black smoke up and stop the sun from hitting the earth, who knows? Something like that is going to happen, surely. Only the cockroaches will be okay. 



How long we got?
Long in comparison to our lives, but not long in comparison to the life of the universe.   




Jarrah Tutton



Stab: How'd you escape the heat?
Jarrah Tutton: Fuck man, it was out of control. I thought I was going to die. I swallowed six litres of water and didn't even piss. I couldn't escape the heat. I was working all weekend at a stand-up paddle board school in Watson Bay. I had four lessons and they go for an hour and a half each. When I finished, my car was overheating. I almost passed-out on the way home, I was that dehydrated. 



What are your tips for staying cool in the heat?
Grab a six-pack and sit at the north end of Bondi with an umbrella. If it gets real hectic head up to the mall at Bondi Junction, go to the movies and sit in the dark with the air conditioner.



What's with all the cyclones and flooding?
I reckon all that shit is 'cause of the el niño and the warmer currents coming further down south. I went spear-fishing at North Bondi at the start of the week when the heat wave was just starting and I saw a massive Black Bar Barracuda. I've never seen one further south than the Gold Coast (Bondi's 11 hours drive south of the Gold Coast, to give you some perspective). We've been getting lots of Pelagic fish that you wouldn't normally get down here. It's going to be a hectic year for cyclones I reckon, 'cause the weather patterns are changing.


Is the end nigh?
Um, I don't know. The world's definitely ending, but who knows when it's going to end. I don't think it's going to be next year, but she's going to end. We're on a one-way path, we're destroying our world. There's going to be no food left, no water left and there's going to be a mass extinction. Or the world could just kick up a storm, chew us up and spit us out, like with the dinosaurs. And polar shifts. We can't keep going the way we're going, something has to change. We have to change, which is highly unlikely 'cause we're so set in our ways, ignorance is bliss and everybody likes to go, "Well fuck it, I can't make a change 'cause I'm only one person." That's the attitude that's got us to where we are now. Either something drastic is going to happen with the planet where we won't be able to survive anymore, or we're just going to fight each other to death. Pretty negative outlook on life, but I just look at it, like, just live – if you can help out, help out. Carbon foot print and all that shit. Be kind to your neighbours, be a good human. It's pretty hard when 80 percent of the world is money hungry. There's a saying: when all the rivers dry up and when all the seas are empty and all the trees have been cut down, that is the day when man will realise that he can't eat money. We need a shift of consciousness. We need to start living as one whole entity, instead of hating each other. Religion this and religion that. And money. We need to take care of our planet, number one – our water, our rain-forests, our oceans, because that's what sustains us. After that we need free health-care, free schooling.



What will be left after we destroy ourselves?
Maybe Cockroaches. There's always going to be some sort of life form on this planet. (The planet) will regrow and fix itself up when we're gone. For how old our planet is and for how old our universe is, we're not even a piece of fucking dust. To think that we're all high and mighty and there's nothing else out there, we're pretty naive. Another 50 million years from now the cycle could start again. Evolution's a crazy thing – it could be three-armed cyclops, or a new age of talking dinosaurs.
– Simon Nicholas

Monday, May 16, 2011

Tweeting the News




* The views conveyed by the journalists are their own and not necessarily the opinions of their employers.
Twitter has moved into the news media faster than you can say, ‘tweens tweeting Twilight,’ but as the relationship between Twitter and journalism undergo its formative years, we ask is it useful to journalists and audiences? Simon Nicholas gets tweeting.
We live in a social age, I bang away at the key board, Twitter rolling by like credits, ‘friends’ zooming through on Facebook, mobile rattling; and all this while I write on my blog, listen to up-and-coming musicians on Myspace, tee-up coffee on Facebook, while communicating and staying informed on Twitter. Where once upon a time cumbersome social relationships involved dropping over, or, god forbid, calling a friend, now a plethora of instantaneous social networking programs have become available for us to use. This networking culture has transcended into the news media, with social media playing an increasingly important role in how audiences consume news. Accordingly, it has become crucial for journalists to have a presence in this new social media landscape. But is this new relationship between news and social media meaningful, or is it further fuelling our ever shortening attention-spans?
As newspaper sales decline and the shift to online news continues, many are unsure about the future of traditional forms of journalism. “Everything is in a state of flux,” says Nic Christensen, journalist for The Daily Telegraph, Twitter user and self-proclaimed political geek, “but I’m optimistic.”
“It’s changing because the desire for digital media is expanding. It’s changing the way we sell a story by making it more interactive” he said.

Original illustration by Bryce Collins
Twitter is increasingly becoming the most dynamic and engaging way for an audience to interact with the news. Not only are readers consuming and interacting with news through Twitter, but they are breaking through the fourth wall and communicating personally with journalists, creating a unique and dynamic relationship between reporter and audience.
Twitter was conceived in August of 2004, but it wasn’t until 2009 that it made any substantial developments within the news media; the US elections and the death of Michael Jackson proved to be the coming of age for Twitter in the US. Come 2010 and Twitter has grown exponentially in Australia, with journalists, celebrities and politicians taking full advantage of this new form to communication and interact with their audiences in a new and exciting ways.
However, it has taken some getting used to for some journalists, as they come to terms with the new medium.
“I think at first the companies saw it as bit of a threat that their journos were out there on Twitter,” says Wendy Fitzgibbon, online news editor for The Daily Telegraph.
“Now they see it as giving their journos a bit of an edge over their competitors, enabling them to have a more personal relationship with their readers.”
But it hasn’t been without its growing pains, as celebrities, journalists and politicians test the waters, and discover the balance between personal and public opinion and identity. Twitter has found its fair share of headlines and scandals in 2010, with Stephanie Rice causing public outrage after tweeting “Suck on that f--gots” following the Wallabies narrow victory over the Springbox in September, resulting in her major sponsor, Jaguar, to withdraw their support. Earlier in the year, comedian and then-columnist for The Age, Catherine Deveny, posted numerous offensive tweets throughout the Logies, including “I do so hope Bindi Irwin gets laid,” and “Rove and Tasma look so cute ... hope she doesn't die, too.” These reckless, careless comments resulted in her being sacked by the newspaper.
A similar incident occurred when Asher Moses, online technology editor for The Sydney Morning Herald, The Age, The Brisbane Times, posted comments on Twitter sympathizing with Mathew Johns during the A Current Affairs interview involving the sex scandal, which exploded in May of last year. “So Matthew Johns’ career is over because a slutty groupy had consensual group sex with him and his teammates 7 yrs ago and now regrets it?,” Moses Tweeted. He quickly deleted his post and apologized for the wording, but it was too late, and several media companies had already jumped on his comments and attacked his credibility as a journalist.
“If you’re not prepared to have it written into a news story, then you shouldn’t write it on Twitter” says Moses reflectively.
“Now I’m quite bland in terms of what I write on Twitter. I try to avoid outing any personal views, or any political views. I think it’s a bit sad that you can’t really give your own personal views on this online world.”
But aside from a few ugly instances, Twitter has had a remarkably positive presence within the journalism world.
“Twitter is in the frontline of real-time news” declares Turo Uskali, journalism academic from the University of Jyvaskyla, Finland.
“Twitter is my number one news feed filter”
Journalists are using Twitter as a multi-functional tool to engage with their audiences, promote stories and brands, and as a means of research for information and sources.
Some reporters are finding it usful as a search engine, crowd sourcing for activity or collective interest, for potential stories and leads.
“Twitter is almost like a stream of consciousness where you can monitor what people are saying. It’s quite helpful to gage public opinion like that” says Shoba Rao, social media coordinator and manager at The Daily Telegraph.
Fitzgibbon agrees noting, “I certainly wouldn’t use it as a one and only source but I think it can be a helpful starting point.”Wendy
Christensen recalls several occasions when Tweets from other journalists have tipped him off to a story he may have otherwise missed, “on more than one occasion I’ve been able to go to my chief of staff with a breaking story that we might have missed but another journo on twitter has tipped us off”
Fitzgibbon says that Twitter can be helpful if she is tipped off about a breaking story but doesn’t have any information. She can use search Twitter and see if any witnesses are posting information about the event.
Christensen finds similar value in the micro-blogging service, telling me of a riot last week that he was called out to investigate. “We didn’t know what we were turning up to and it was useful to search on Twitter and find people who’d seen the brawl.”
The riot occurred after a large crowd, formed to jeer on a fight between four women, turned on police who were forced to fire capsicum spray into the violent crowd.
Christensen finds Twitter most useful to connect with other journos and politicians; “I use Twitter to network with other journos, talking about ideas, debating ideas, talking about stories, talking about what is happening in the media. I would argue that this is much more important than having individual one-on-one conversations with readers.”
Moses comments that Twitter can be a great way to search for leads and sources; “It’s definitely a time saver when it comes to finding people who are affected by certain issues.”
“It’s a good way to put you into contact with people that might have information on the topic” Fitzgibbon says.
Embedding Twitter feeds within a news media is becoming a popular way of engaging with audiences. It is becoming increasingly popular within most forms of media, for instance Q&A, the ABC television program, have a Twitter feed embedded at the bottom of the screen, showing tweets from viewers voicing their opinion on the topic. Radio also include Tweets in alot of their stories, but it is online media which have taken advantage of Twitter to the fullest.
Fitzgibbon says that she often includes Twitter feeds within her stories “so while people are reading they can see up to the minute stuff that people are saying.”
But is Twitter affecting the way in which journalists report? Is Twitter encouraging a shallow form of reporting which encourages poor journalism and miniscule attention spans? Is Twitter a one-stop-shop for cheap journalism?
“I think Twitter’s just another tool,” Fitzgibbon says. “
“Nothing, in my mind, can replace actually getting out there and working your sources. You still need to get that colour from being there and seeing it with your own eyes. It’s a way of getting a quicker and easier start on a job, and in online journalism time is such a crucial factor”
“I think it’s fine if you use Twitter as a starting point to get a lead,” says Moses “but it’s definitely not enough to build a story upon. “
One of the most exciting and innovating elements about Twitter is the way in which readers can interact with journalists.
“I think people want to be more involved, I don’t think they want to sit there on a website, clicking on something and having a one-dimensional relationship,” says Fitzgibbon.
“I think they want to be part of the news, rather than a reader and a member of the audience.”
“Twitter allows the reader to directly contact the journalist, give them feedback and have more of a say in the news process,” says Moses, “and I think it’s good for readers.”
Through mobile technology and the enculturation of Twitter, people are able to interact more than ever with the news. Increasingly, citizens are engaging with journalism by filming or taking photographs of news events, and commentating about them on Twitter. This is building a foundation of citizen journalism which reporters can use as sources and leads.
Not only are readers becoming included and involved in the construction of news, but journalists and readers are now often communicating on a very personal level. This is creating a dynamic reader-reporter relationship rarely seen before. Many journalists, particularly within television media, are beginning to encourage viewers to follow them and continue the conversation via Twitter. Sandra Sully is an example of how Twitter is becoming mainstream, as she communicates with her audience on a multi-faceted way.
In the future more journalists will join Twitter in an attempt to humanise themselves to their audiences, and gain trust and loyalty from them.
As Twitter become increasingly prolific within the news world, Uskali predicts that the role of the journalist will change from a news gatherer to news flow manager and editor, in what he describes as ‘the twitterization of the news.’ This is not to say that reporters will no longer gather news, but that twitter will change the way in which journalists construct a story.
But not everybody holds the same value on the revolutionary powers of Twitter.
“It’s just one tool of a bag of things journalists use, I don’t believe for one moment it’ll revolutionise journalism,” said Chestensen.
“There are some people starting to use Twitter meaningfully, take Lorie Oakes for example, but even then, he only has 10,000-20,000 follower. Then you look at the publication The Daily Telegraph or The Herald and you’re looking at somewhere between 800, 000 to a million readers. It’s not a huge readership, it’s still very much a niche audience, and that’s not necessarily a bad thing. That’s just the way Twitter is constructed.”
But while Twitter isn’t a major influence within the news just yet, recent surveys are showing growth and promise that in the future Twitter will play an increasingly more important part in news media. An online study released by Nielsen Online in February of 2009 showed that the largest single group of Twitter users, making up 42%, were between the ages of 35-49, and that the average Twitter user is two to three times more likely to visit a news website that than average person. In fact users over the age of 55 exceeded users aged 25 to 34. So Twitter is not a platform for vampire crazed adolescents as the miss conceptions would have you presume, but a forum for news savvy adults; and figures are only suggesting that this audience will grow over coming years, with a 400% growth in 2009 alone.
News producers and journalists are flocking to Twitter as they realise its potential as a news gathering and distributing tool.
“News Limited and The Daily Telegraph have decided that Twitter is part of our media focus. We have decided to come onboard and support Twitter as a genuine form of communication with our audiences” says Fitzgibbon on the future of Twitter.
“I think Twitter will only continue to grow, but it will emerge into something different. I don’t think the Twitter we know today will be the same in a year’s time or 5 years time” says Christensen.
Twitter is a collective stream of consciousness, a minute-by-minute, second-by-second, publication of our zeitgeist. It encourages conversation between audience-and-audience, reporter-and-reporter, audience-and-reporter, and reporter-and-audience communication, and this is truly a ground breaking phenomenon. It is a forum where communities can form and communicate, and this is can never be anything short of helpful.
In the future, as digital news becomes more and more mobile via phone technologies, we will begin to see what Alfred Hermida describes as “ambient journalism” in which news surrounds individuals and is consumer steadily, in a osmosis- peripheral like fashion. Twitter is the front runner for this form of journalism.
Journalists will have an increasing presence on Twitter and audiences will continue to interact with them in a dynamic and personal way.